Fleda had got up; she took a turn round the room. "You 'required' the very best pieces—the morceaux de musée, the individual gems!" "The one I've already made so clear to you: my having it in black and white, as you may say, from her that she freely gives him up."!

"Yesterday?" The girl thought an instant; then met the difficulty by adopting, as an amendment, the same tone. "As any danger of the ridiculous."

Fleda shook her head sadly; she was more startled than she cared to show. This odd journey of Mrs. Brigstock's, which, with a simplicity equal for once to Owen's, she had not divined, now struck her as having produced the hush of the last ten days. "There are things she doesn't know!" she presently exclaimed. She had once more disengaged herself, with the private vow that he shouldn't yet touch her again. It was all too horribly soon—her sense of this was rapidly surging back. "We mustn't talk, we mustn't talk; we must wait!" she intensely insisted. "I don't know what you mean by your freedom; I don't see it, I don't feel it. Where is it yet, where, your freedom? If it's real there's plenty of time, and if it isn't there's more than enough. I hate myself," she protested, "for having anything to say about her: it's like waiting for dead men's shoes! What business is it of mine what she does? She has her own trouble and her own plan. It's too hideous to watch her and count on her!" Owen looked a trifle bewildered. "She doesn't see the use of hanging on, as I haven't even yet put the matter into legal hands. She's awfully keen about that, and awfully disgusted that I don't. She says it's the only real way, and she thinks I'm afraid to take it. She has given me time and then has given me again more. She says I give Mummy too much. She says I'm a muff to go pottering on. That's why she's drawing off so hard, don't you see?"